Centricity / Reel Muzik Werks

Centricity Music 

Founded in 2005, the label was launched with a mission of supporting independent Christian artists. But it wanted to serve them beyond just signing record deals and watching if they became quick successes.

Centricity’s founders forged a path. They dedicated their efforts to truly investing in artists, helping them develop their talents and grow. With the drastic changes in music business of the last decade, all signs indicate a slow, persistent approach like this shouldn’t have worked…But 13 years later, the label stands strong, and those personal investments have yielded powerful impacts for music-listeners everywhere. 

Centricity is now home to 17 Christian music acts, ranging from solo artists to worship bands: Andrew Peterson, Apollo LTD, Brandon Heath, Bay Turner, Chris Renzema, Coby James, Cross Point Music, Jason Gray, John Allan, Jordan Feliz, Katy Nichole, Lauren Daigle, Mack Brock, Natalie Layne, North Point Worship, Patrick Mayberry, and Unspoken. With core values of faith, relationships, and support, the label proves itself more than a business partner for its musicians, but a family.

Reel Muzik Werks 

Reel Muzik Werks is an innovative, full-service independent music publisher specializing in music for Film & TV and international rights management. Utilizing its team’s broad experience and relationships in the global entertainment market, RMW provides excellence in service as an effective partner. 

RMW has become home to a diverse clientele who needed more than a “one size fits all” approach to the management of their music publishing catalogs and recordings. From the outset, Founder & CEO Teri Nelson Carpenter wanted to create a different type of company, one that could address the needs of a wide variety of content creators in a seamless way. Building upon her extensive experience at companies such as Saban Music Group, Fox Family/Fox Kids, MGM, Hemdale Film Corporation and Broadcast Music Inc (BMI), Ms. Carpenter constructed RMW to be able to speak to the needs of traditional artists, composers, and publishers, along with Film/TV production companies, broadcast networks, legacy catalogs, music libraries, and even performing and mechanical rights societies.